D. T. Suzuki

The scholar and essayist who, in English, made Zen legible to the modern West — and, in the judgement of later scholarship, made it considerably more spontaneous, ahistorical and anti-institutional than it was, in ways that suited his readers.

The chief channel of Western reception, kept explicitly downstream of the source — the same discipline this atlas applies to Wilhelm for the I Ching and to Wilson for the reality tunnel.