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MASACH — THE SCREEN AND THE UPPER NINE
Panim Meirot uMasbirot
Panim Meirot
nature
Ashlag's commentary on Luria's Etz Chaim, written in London and printed there in 1927 — during the same London years, 1926–1928, in which the melodies later recorded as "Melodies of the Upper Worlds" (ms-album-upperworlds) were composed.
⭐⭐ A REAL, CHECKABLE COINCIDENCE OF PLACE AND TIME, NOT AN INVENTED ONE. The same short London stay produced a technical commentary on Luria's vessels and a body of melody meant to convey what those vessels feel like from the inside — this pack draws the line between the two explicitly (ms-album-upperworlds `cites` this node) rather than leaving two facts sitting near each other unremarked.
tags
panim meirot · london · 1927 · etz chaim · commentary
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