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THE ATLAS OF THE REALITY TUNNEL

The Widow's Son

nature
The Chronicles continue: Paris and the Bastille in the 1770s — and a text fought over by its own apparatus, in a running war of scholarly footnotes, each footnoter certain, each contradicting the rest.

Guerrilla ontology as typography. The footnotes do to the reader exactly what the conspiracies do to Sigismundo: supply total confidence in incompatible accounts and leave the choosing to you.
rhymes with
sephirahbinah
whyStructure examining structure — the commentary as a second, hostile intelligence.
tags
historical illuminatus · bastille · footnotes
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